GOING HOME FROM THE HUNDRED 
		YEARS' WAR
		
		If war took a man even a short 
		distance from a nameless hamlet, the chances of his returning to it were 
		slight.
		
		—William 
		Manchester, A World Lit Only by Fire
		 
		A valley, 
		he tells the blacksmith, with a fair creek and blackberries.  The white 
		skeleton of a lightning-struck pine on a knoll.  —With an 
		owl’s roost? asks the blacksmith, glancing up from the hoof,  his 
		singed eyebrows a single snarl across his blackened forehead. —Yes, 
		nods the young man, eager. A horned owl.  You know it? —Many a 
		one, says the blacksmith.  And the stream is called…?
		The young 
		man frowns, shifts his weight off his bad leg.  There’s only one of 
		them, he says.  The blacksmith, who chews his lip as he maneuvers 
		the steaming iron to the hoof, taps it smartly with his hammer—Just
		Creek then. And the river it runs into? 
		From the 
		knoll, far off a river’s sheen scythes silver through a meadow. —Let 
		me guess, says the blacksmith.  Deer River?  Trout River? If it’s 
		“Deer River” in the hills, it could be “Trout River” by the time it gets 
		to the flats.  Or Green River, perhaps?  The young man mutters 
		Perhaps.  The blacksmith shakes his head, but then he yells quite 
		merrily, —Ma.  An old woman, bent over her twig broom, brushing 
		the dirt yard behind them, lifts her head and hobbles over.  Ma’s pa 
		was a tinker, says the blacksmith.  Ma, how many Green Rivers in 
		your roaming?  
		Her grin is 
		missing teeth. —As many as the fingers of your hands, she says to 
		the young man, then reaches to open his left hand and cackles. More. 
		He is missing two and a half fingers.  —War, I reckon?  
		He doesn’t contradict her.  How many winters were you gone?  He 
		scratches his dirty beard.  Since I was almost a boy, he says.  
		Now I’m looking for home.   ---Oh, la.  She does a tiny 
		shuffling dance.  And the name of your village?  ---It’s but a 
		hamlet, explains the blacksmith.  No name.  — ‘Course not, 
		she says in delight.  A church?  A priest?  Not likely.  What 
		direction did you travel to the front?
		—That 
		way, he points back 
		south, and every which way.  I think we came through around 
		here.  His hand makes a circle and then motions vaguely westward. 
		Three hamlets between here and that cloud’s shadow, says the old 
		woman.  The young man eyes the cloud, figuring how many hours’ walk.  
		—My mother’s Blondie, he says. You know a Blondie?  —Do I 
		know a Blondie? she asks her son, who has set down the chestnut’s 
		leg and is shifting him around.  Ask him if she’s flaxen or 
		dirty-headed, short or tall, plump or scrawny, pocked or smooth.  There’s 
		a Blondie in every other household hereabouts.  And you’re called? 
		 The young man fidgets. —Will’s son.  He already knows the 
		blacksmith is also Will. —Who’s winning the war? asks the 
		blacksmith. —Who’s fighting? asks his mother and cackles again. 
		The young man shrugs.  —I have a sister Rose, he offers. The old 
		woman winks and prods the blacksmith’s elbow. He curses mildly.  —Not 
		Rosa? she says.  Not Roz?  There’s a Roslyn in the next 
		farmhouse, young and a widow.  The blacksmith clucks his tongue. 
		—Widows and their itches.
		The cloud’s shadow has 
		almost reached them.  A sheep blats from a field.  The dog that 
		announced the young man’s arrival is still yapping.  The horse violently 
		nods his head, flips a fly away with his tail, whinnies.  A tail hair 
		flies through the air, lands on the hot coals of the blacksmith’s fire 
		and the air fills with its stink.  
		—Might 
		as well stick around, 
		says the blacksmith, lifting a new horseshoe with his tongs. —Might’s 
		well, says the chestnut, turning his head to eye the young man. 
		Bluebells in the meadow, fillies in the field. Two people in the village 
		who can read and write, besides the priest.  You could send a 
		letter home, not that anyone could deliver it.  He snorts derisively.  
		Or read it, if it got there.  Besides, who can remember where one was 
		born?  
		The young 
		man sighs.  In the distance he hears a half-familiar bird hollering.  
		His ma would know what it was.   He doesn’t ask these three.  Anyway, 
		it’s as good a direction as any other.
		Or not:  
		Face red in firelight, soft rose of a breast, crickets speaking the 
		language of home.